Download Action Chicks: New Images of Tough Women in Popular Culture by S. Inness PDF

By S. Inness

Xena, Buffy, Lara Croft. WWF, The Sopranos, Witchblade, l. a. Femme Nikita. the ladies of popular culture are middle degree and as difficult as ever. motion Chicks is a groundbreaking assortment highlighting the heroines we've got grown to worship. What can they let us know approximately ladies within the Twent-first-century? What can they let us know approximately how pop culture depicts ladies? Do the characters get away conventional gender function expectancies? Or do they adhere to sexual, racial, ethnic, and sophistication stereotypes? The essays in motion Chicks offer lovers with a brand new examine their favorite icons and their dating to the preferred media computing device. a desirable assortment that is guaranteed to fan the flames of a few excitement.

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The amount and range of attention Lara Croft has received is an indication that she exemplifies more than a visual phenomenon or a fleeting trend in the representation of the female. Lara’s role outside of the erotic and violent spectacle she provides for the sake of entertainment is worth investigating as her internationally recognized and discussed presence suggests a greater cultural relevance than thus far acknowledged. On the virtual terrain of war-inspired computer games, the female, biologically inescapably tied to the processes of reproduction, is represented in an unprecedented display of eroticism and violence.

The software in question is 3-D Paint Effects. The advertisement was published in 1996. 45. Jacob Ward, “Crime Scene,” Wired (May 2002) 80. 46. Mary Flanagan, “Hyperbodies, Hyperknowledge: Women in Games, Women in Cyberpunk, and Strategies of Resistance,” in Reload: Rethinking Women and Cyberculture, ed. Mary Flanagan and Austin Booth (Cambridge, MA: MIT Press, 2002), 427. 47. Bataille, 42. 48. Klaus Theleweit, Women, Floods, Bodies, History, vol. 1 of Male Fantasies, trans. Erica Carter and Chris Turner (Minneapolis: University of Minnesota Press, 1987), 194–196.

One eyebrow is typically raised, and her expression is angry, though her mean grin suggests she is enjoying her superiority. The real-life models representing Lara’s character often wear her trademark green rubber tank top, a material rarely paired with hiking boots but commonly found in the wardrobe of a dominatrix. Because of the manner in which she is depicted and the danger of violence (and thus pain) she represents, it is difficult to address the eroticism linked to her outside of the context of domination.

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