By T. Meyer
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Extra info for After Effects Apprentice - Real-World Skills
If you like, type t and reduce its Opacity as well. 38 Finally, nudge the position of your solid up or down to nicely balance the frame. There is no right or wrong answer; you could try the middle, centered behind the photos or title, or acting as an underscore to anchor the photos. Save your project at this point. Quick Effects 36–38 Create a Solid layer, color it red, and use it as a graphical element to tie together the three flower photos. You’ve created a nice little animated composition here, but it looks a touch flat.
39 Add Effect > Perspective > Drop Shadow to one of the flower photos. Tweak the effect’s Distance and Softness to taste. 40 Once you have a look you like, add it to the other photos. Fortunately, you don’t have to reinvent the wheel every time you want to reuse an effect: Click on the effect name Drop Shadow in the Effect Controls panel, and copy it by typing Cc (Lc). Then click on one of the other flower photo layers in BA S I C A N I M AT ION — Lesson 1 29 the Timeline panel, and C+click (L+click) on the third to select it as well.
Turn your attention to the bottom of this dialog, and click on the Import As popup. Here you see options of whether to treat this file as a single source or as a composition. These options are presented again later, so the best choice here is to just accept the default (Footage) and click Open. 2 A second import dialog will open. The top popup – Import Kind – is similar to the Import As dialog; for this first exercise, make sure it 2–3 You can import a layered file as a single footage item (and either merge all the layers, or select a single layer), or a composition (includes all layers).